Plays by Women: An International Anthology. Her theatre is action-oriented and committed. Don't you dare pollute Pama. Correspondingly, one of the most wide-reaching thematic springboards in the post-1970 francophone African literatures has been the conflict between traditionalism and modernism. Growing up among the Bassa of Cameroon, Liking experienced her people's rituals of healing, initiation, and death, and it is this framework which serves as a theoretical base for her writings and personal philosophy.
Her avant-garde texts denounce the abuses of power and degradations that are part of African contemporary realities. Today, she is well known for her research, explaining the role of figures and the staging of productions, but also for her work as a manager, actor, and director. Tho magician with heavenly hands, Offered herself to the spirits of Oshogbo As witness to the rnultiple dimensions of Black laith. Her work began from research on ritual roots of African theatre, seeing how this might speak of contemporary political issues, promote pan-Africanism rather than nationalism, and other positive values. The organization, composed of some 70 members, includes: the Ki-Yi Village the space where the group works and lives , Ki-Yi Arts Productions painting and sculpture , the Ki-Yi Museum ancient and contemporary works , Ki-Yi lines clothing and the Ki-Yi M'Bock Theatre, which presents in repertory dramatic, choreographic, lyric, and musical pieces -- both at the Village and on tour: to date in Africa, France, Belgium, Switzerland, Germany, Mexico, Canada, and Japan. We have guarded all our values there. Together, Ray Lema and Werewere Liking have created the first real Panafrican album.
It is the thematic and structural gateway that might open the doors to the wider perspective and in formed judgment that support the very raison d'être for Werewere Liking's theater. Sake, Kassali and Lawani, she embraced iron and concrete From the red earth's breast and made sacred forests blossom With groat and pure timeless Beings dedicaled to Oshogbo. In this theater, it is a question not just of recovering a certain balance in life, but of the process through which freedom and a fullness of being can be accomplished in a contemporary sociopolitical environment dominated by fear, demagogy, and estrangement. She participates in numerous international tours with her company and conducts many workshops in different countries. New York: Uburepertory Theater Publications, 1994. Highly influenced by ki yi, a secret initiation of Bassa origin, she took its techniques and philosophy to mould her theatre style.
But, seeking greater professionalism, she laid the foundations for the Théâtre, which had become a professional self-supporting troupe of multidisciplinary artists and took residence in the Villa Ki-Yi which she founded within the heart of Abidjan by 1985. The Kr-Yin musical fresco invites us to experience the successful blending of tradition and modernity. Only one country on en entire continent. Are you able to fight an epidemic? A prolific and multifaceted artist, she also writes poetry, studies and practices traditional art forms sculpture, Malian marionette performances , paints, produces and directs and acts in her plays, and has produced severalshort films. This ritual theatre relies on tradition, keeping only essential meanings, and seeing the primary purpose of a human as taking control of oneself before the universe and God. Can you perpetuate The work of the Masters of time? Those who claim lobe sophisticated, developed, But who can't stop imposing their 'civilization' With weapons and money.
Frais de port et livraison Où se trouve l'objet 75020, Ile-de-France, France métropolitaine Lieu de livraison France métropolitaine, Afghanistan, Albanie, Andorre, Argentine, Arménie, Australie, Autriche, Azerbaïdjan, Bahamas, Bahreïn, Bangladesh, Barbade, Biélorussie, Belgique, Belize, Bénin, Bermudes, Bhutan, Bolivie, Bosnie-Herzégovine, Botswana, Île de Bouvet, Brésil, Territoire britannique de l'océan Indien, Brunei Darussalam, Bulgarie, Burkina Faso, Birmanie, Burundi, Cambodge, Cameroun, Canada, Cap Vert, Îles Caïmans, République centrafricaine, Tchad, Chili, Chine, L'île de noël, Îles Cocos Keeling , Colombie, Comores, Congo, Congo, République démocratique, Îles Cook, Costa Rica, Cote d'Ivoire, Croatie, Chypre, République tchèque, Danemark, Djibouti, Dominique, République dominicaine, Timor oriental, Equateur, Egypte, Le Salvador, Guinée équatoriale, Erythrée, Estonie, Ethiopie, Îles Falkland, Îles Féroé, Fidji, Finlande, Guyane française, Polynésie française, Terres australes et antarctiques françaises, Gabon, Gambie, Géorgie, Allemagne, Ghana, Gibraltar, Grèce, Groenland, Grenade, Guadeloupe, Guam, Guatemala, Guinée, Guinée-Bissau, Guyane, Haïti, Îles Heard et Mc Donald, Saint-Siège État de la Cité du Vatican , Honduras, Hong Kong, Hongrie, Islande, Inde, Indonésie, Israël, Italie, Jamaïque, Japon, Jordanie, Kazakhstan, Kenya, Kiribati, Corée du Sud, Koweït, Kirghizistan, Lettonie, Liban, Lesotho, Libéria, Liechtenstein, Lituanie, Luxembourg, Macao, Macédoine, Madagascar, Malawi, Malaisie, Maldives, Mali, Malte, Îles Marshall, Martinique, Mauritanie, Maurice, Mayotte, Mexique, Micronésie, États fédérés, Moldavie, Monaco, Mongolie, Montserrat, Maroc, Mozambique, Namibie, Nauru, Népal, Pays-Bas, Antilles néerlandaises, Nouvelle-Calédonie, Nouvelle-Zélande, Nicaragua, Niger, Nigeria, Niuev, Île de Norfolk, Irlande du Nord, Îles Mariannes du Nord, Norvège, Oman, Pakistan, Palau, Panama, Papouasie Nouvelle Guinée, Paraguay, Pérou, Philippines, Pitcairn, Pologne, Portugal, Porto Rico, Qatar, Irlande, Réunion, Roumanie, Russie, Rwanda, Saint-Christophe-et-Niévès, Sainte-Lucie, Saint-Vincent-et-Grenadine, Saint-Barthélemy, Saint-Martin, Samoa Indépendant , Saint Marin, Sao Tomé-et-Principe, Arabie Saoudite, Sénégal, Seychelles, Sierra Leone, Singapour, Slovaquie, Slovénie, Îles Salomon, Somalie, Afrique du Sud, Géorgie du Sud-et-les Îles Sandwich du Sud, Espagne, Sri Lanka, Sainte-Hélène, Saint-Pierre-et-Miquelon, Suriname, Îles Svalbard et Jan Mayen, Swaziland, Suède, Suisse, Taiwan, Tadjikistan, Tanzanie, Thaïlande, Togo, Tokelau, Tonga, Trinité-et-Tobago, Tunisie, Turquie, Turkménistan, Îles Turks-et-Caïcos, Tuvalu, Ouganda, Ukraine, United Arab Emiratesv, Royaume-Uni, Etats-Unis, Uruguay, Ouzbékistan, Vanuatu, Venezuela, Vietnam, Îles Vierges britanniques, Îles Vierges des États-Unis, Wallis-et-Futuna, Sahara occidental, Yémen, Zambie, Zimbabwe Remise en main propre Non Instructions d'expédition Les tarifs indiqués concernent les expéditions par La Poste française en courrier normal et suivi, sans assurance. Abidjan: Les nouvelles Éditions africaines, 1980. He is the emptiness which cars forth fullness. Now's the lime to prove it. Beginning from this idea, she explores the juxtapositions of power in the universe, the relation between man and God, which she compared to puppet and puppeteer.
Over time, her works have become more politically pointed and didactically aimed. Ashantis the same as Zulus, Lances and shields united Where differences meant richness. Madness cuts scars inlo faces Like the zigzags of lightning storms. . Can you keep fails and preserve courage? Politically, economically, and socially, Africa's leaders have defaulted on their promises, declared goals, and responsibilities. We travel from the luxuriance of Pygmy song and the warm breath of the savanna to a reggae groove Oshogbo or a solemn oasis bathed by guitars and synthesizers Mystic Assembly.
Don't give birth to other people. Werewere Liking at the Villa Ki-Yi. Being Amazulu means from now an In the reign of violence and scientific death Choosing to reinvent life. It is shown that consideration of pedagogical aspects of L2 theater beyond dialogue may improve L2 reading comprehension and performance of L2 theatrical works and facilitate deeper L2 competency. Werewere Liking has earned the attention of much of the francophone world over the past seven or eight years for her novels and plays. He sow only one country.
In former times, in courageous villages, there were more of those known as lime's workers. Know that there is no place in our village for the lazy. Funeral biers for their royal husbands. He is traveling across the continent tu try and unite his people after having failed once before. While a researcher at the Institute of Black African Literature and Aesthetics, at the University of Abidjan 1979-1985 she mounted work with French woman Marie-Josée Hourantier from 1980. Off en your doors to Firoun Ag Alnsaar And cast out the intolerance which rumbles within. Women and children killed, sold no longer gossip And there is no one left to continua the line.
This tendency emerges in the 1980s with what seems to be a new emphasis: the thematics of the assistés or foreign aid recipients. Little research on improving second language L2 reading comprehension of French and francophone theater has been conducted. They have also been instrumental in advancing dependency and promoting an unhealthy social imbalance between desire and self-indulgence and between the abuse of traditional beliefs and modern opportunism. And their children who are traded for canons Don't come back. The recording benefits from an exceptionally rich compositional palette : no other African album has included such Vast Cultural references. Dakar: Les nouvelles Editions africaines, 1987.